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Ofentse Pitse is the youngest African woman orchestra owner, conductor, classical music
arranger, producer, musician and curator of intimate musically inspired/influenced spaces and
experiences. Pitse was inspired and raised to revere education by her mother and
grandmother. Education has continued to be a core value and practise for Ofentse, who
graduated with her Master of Architecture from the University Of The Witwatersrand in
Pearl Matshidiso Pitse.
A lover of all things art, Africa, and people, Ofentse has managed to masterfully create a
brand that truly reflects her core values, character, people and heart – all of which are vital
ingredients for a history-making change agent and rising influential cultural voice and a key
player in the orchestral world.
Born and raised in the City of Tshwane, it was in the vibrant streets of South Africa’s capital
city that Ofentse first discovered and developed her deep love for music. With a family
active in the Salvation Army, Ofentse soon found her way to its famous brass band, where she
learned to play the English horn, trumpet, flugelhorn and cornet. As her skill improved, so did
her range, and she expanded her repertoire from gospel music to classical and jazz.
Under the mentorship and tutelage of two of the country’s leading conductors, Thami Zungu
and Gerben Grooten, Ofentse transitioned from a musician into her current role as an
orchestra conductor and owner of Anchored Sound, a 40-piece orchestra and 25-person
strong choir.
I want to drive inclusivity because it’s hard for women to belong in a boardroom or a
soundstage. As a Black woman, I have had to learn how to assert myself in male-dominated
environments and defend my work and dreams. This is what fuels my vision, my purpose, and
my birthright. I want my presence in this space to encourage women who look like me and
feel they don’t belong to see that they can, they do, and they must! There is no limit to our
potential, capacity, and creativity
Phone: 067 071 9010
Email: ok.pitse@gmail.com
Instagram: @ofentse_pitse
Pro Arte Alphen Park
2007-2010
Wits University
2012-2017
Wits University
2021
Wits University
2022-2023
BRIEF: Design a contemporary african museum that represents indeginous arts.
The site is in Braamfontein, one of the creative hubs of Johannesburg. Which creates a good opportunity of intergrading the urban landscape.
CONCEPT:
I wanted to re-tell the story of Apartheid and preserve it’s history. I conducted research on the important events taht occured during this time, which resulted in a
timeline.
I created a ramp throughout the whole building in order to emphasize the progression through history. Also, most of my exhibition spaces include works from
prominent South African artists whose work speaks to this history.
The face of my building is in an irregular shape. This shape gives a sense of movement and progression. The material I choose to use corten steel because of its
timeless feel and look.
The name ‘Uzalo’ is a isiZulu word which means ‘ancestry’
BRIEF:
Design a library in Germiston that will cater for all those reside, and travel there daily.
CONCEPT:
My concept is derived from the idea of a tree and its branches, I wanted the library to have a magical feel to it, as though it were a gem in the city.
How I achieved this was by elevating the form to make it seem as though it is floating. I then created a slanted green walking space with a restuarant, archive, as
well as a history library underneath.
These elements act as the ‘roots’ of the library.
The facade comprises of ‘branches’ that are solid in the private areas of the museum, and voids in the public areas.
I further explore the comcept of the tree by converting my coloumns into replicas of a tree, which makes one feel as though they are navigating through a forest
As a student architect at Boogertman and Partners, I gained hands-on experience with projects of varying scales, focusing primarily on architectural model-making.
SPIRIT OF PLACE: Demystifying the significance of Sangoma practices in our communities, education, and well-being, while looking at how they can exist in modern spaces.